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Music in Chennai
The Sabha Culture of Chennai
Historically the word Sabha may have meant a congregation of people for various reasons but in modern parlance it stands for any organisation that supports the performing arts. It began as a uniquely Chennai phenomenon and from then on spread to first other parts of what was then Madras Presidency and later to the rest of India.
Music Academy, Chennai – ptkarch
Music or food: Which is the bigger draw during Chennai’s Margazhi season?
During the annual season, sabha canteens offer innovative dishes such as watermelon rasam to draw a larger crowd.
It is lunchtime on a warm December afternoon in Chennai – that period of the year when the city plays host to the annual Madras Music Season. An impressive line-up is scheduled to perform at the Narada Gana Sabha, one of the more popular concert halls. But curiously, its entrance is deserted. Instead, the crowds are congregated at a small canteen behind the hall. Women in their kanjivarams, youngsters in kurtas, pyjamas and stoles, and older men in silk veshtis sit side by side at long tables, waiting for the elai sapadu, or meals, served on the banana leaf. While some servers are busy ladling rice, sambar and payasam onto the leaf, others take orders of rice meals, sweetmeats and filter coffee from the rapidly burgeoning crowd.
The sight is common at Chennai’s music and dance festival, which is held at nearly 50 venues during the Tamil month of Margazhi. While the decades-old festival is synonymous with Carnatic music and classical dance, it is increasingly becoming known for the sabha canteens, whose scrumptious food draws music connoisseurs and epicureans alike.
“A canteen would once sell coffee and bajji (fritters),” said Balaji Pattappa, the owner of Pattappa’s, which caters at one of the oldest sabhas, the Madras Music Academy. Things began to change around six-seven years ago, when menus were made more creative and expansive. To the traditional items, such as keerai vada, vatha kuzhambu and kootu, were added new innovations like watermelon rasam and vegetable payasam. This attracted larger crowds, and seeing the footfall rise, “the sabhas too gradually began giving importance to food”.
“You cannot listen to good music when you’re not full,” declared Unnikrishnan, a music rasika, or connoisseur, from Coimbatore, who has been attending the Margazhi festival for over a decade. “Also, in Chennai, nothing runs without coffee.”
The music season is spread over 10 weeks – from mid-November to January – and, according to Uma Srinivasan, sabha canteens make life easy for avid music enthusiasts like her during this extended period. “When you come for a kutcheri (musical performance), you [don’t have time to] cook and neither can you [head somewhere to eat something] in the break as you have to come back for another concert,” she said. “So this tradition started out as a convenience.”
Most sabha canteens serve four meals a day – breakfast, lunch, evening snacks and dinner. Though their prices may be on the higher side, most people don’t seem to mind it. “These [canteens] are very helpful, especially for people with season tickets,” said Unnikrishnan. “I normally combine [some of my] Chennai trips to coincide with this festival.” The salubrious weather in the city during the winter months also adds to the appeal of the food.
Varied treats
The canteen at the Sri Parthasarathy Swami Sabha is full of customers – including rasikas, office-goers and children – who are intently reading the menu board put up by the caterers, Mountbatten Mani Iyer. Dishes such as papaya roast, sweet potato vadas, badam polis and chikku pudding have made Mountbatten Mani Iyer a household name in the city. “It is our third hat trick this year with this sabha,” said K Srinivasan, with a smile. Srinivasan and his father Mani Iyer have been in the catering business since the 1960s. “People have told me that they save money for 11 months just for these 20 days at the festival,” said Srinivasan. “When you go to a hotel and have lunch, you usually feel very heavy. But our food is very light.”
The history behind the caterer’s name is as colourful as its menu. “Before Independence, Lord Mountbatten came to Madras to the government building in Guindy,” said Srinivasan. “At that time, my father was around 17, and he got an order to make a pure South Indian lunch comprising badam halwa, potatoes, sambar rice and pal payasam. As a way of praising my father’s excellent food, Lord Mountbatten conferred the title upon him.”
Entry into the sabha canteens was once restricted to people with concert tickets. But after the canteens were opened up to everyone, the kutcheris and canteens began having their own audiences, says Patappa – now “there is no connection between the kutcheris and food”. Nevertheless, catering for the sabha canteens will always remain a “gamble”, says Srinivasan. “If we cook for 200 people and only 100 turn up, it is a loss for us. At the same time, if we get more guests, we have to make more food. No matter what, our job is to get the food going by 7.30 in the morning.”
For the hordes thronging the canteens, the experience is as much about food as it is about the sense of community and conversation. Uma Balan, who lives in Malaysia, visits Chennai every year in December to attend the concerts. “The sweets here are exotic and the waiters serve [them fresh] with pure ghee,” she said. “I also noticed that whenever I eat food in a particular sabha, a person sitting beside me will suggest a dish to try from another sabha.”
Music of Tamil Nadu has a long tradition and history going back thousands of years. Music is a very important aspect of marriage and temple festival Tamil people.
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The tradition of Tamil music goes back to the earliest period of Tamil history. Many poems of the Sangam literature, the classical Tamil literature of the early common era, were set to music. There are various references to this ancient musical tradition found in the ancient Sangam books such as Ettuthokai and Pathupattu. The early narrative poem Silappatikaram, belonging to the post-Sangam period also mentions various forms of music practiced by the Tamil people. Music was also utilised in the compositions of the Tamil Saiva saints such as Appar, Thirugnana Sambanthar and Manikkavasagar during the Hindu revival period between the sixth and the tenth centuries CE. The musical poet (sandakkavi) Arunagirinathar further embellished the Tamil musical tradition through his compositions of Tamil hymns known as Thiruppugazh. |
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Pann, which is the classical music form of Southern India, has a long history in Tamil Nadu. Later the name was mistakenly changed as Carnatic music. Even today Pannisai is sung in temple festivals. Tamil Nadu has produced a number of famous performers, as well as a closely related classical dance form Bharatha Natyam. Chennai hosts a large cultural event, the annual Madras Music Season, which includes performances by hundreds of artists.
There are 72 basic scales on the octave, and a rich variety of melodic motion. Both melodic and rhythmic structures are varied and compelling. This is one of the world’s oldest and richest musical traditions.[1] Songs have been composed by great artists and handed down through generations of disciples.
The composers belonging t the Tamil Trinity of Muthu Thandavar (1560 – 1640 CE), Arunachala Kavi (1712– 1779) and Marimutthu Pillai (1717–1787) composed hundreds of devotional songs in Tamil and helped in the evolution of Carnatic music. Three saint composers of the 18th to 19th Century, Tyagaraja, Muthuswami Dikshitar and Shyama Shastri, have composed thousands of songs that remain favourites among musicians and audiences. Today, Tamil Nadu has hundreds of notable carnatic singers who spread this music all over the world. M. S. Subbulakshmi, a renowned carnatic singer, had the honour of singing a song in the UN Security Council. |
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olk singing remains popular, especially in rural areas; elements of the traditional styles are sometimes used in film music. There are contemporary enthusiasts, like Vijayalakshmi Navaneethakrishnan and Pushpavanam Kuppuswamy, who have worked to revive popular interest in the folk music of Tamil Nadu. The urumee mellam also remains as one of the more popular forms of folk music in rural Tamil Nadu and the ensemble is most often played with an urumee and the nadaswaram as the instrument of choice.
The rural hill tribes of Tamil Nadu each have their own folk traditions. The Pulayar, for example, perform melodies called talams which are said to come from the cooing of birds. Each talam is named after a deity, including Kunhanada talam, Mangalanada talam and Karaganachi talam. |
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Gaana is a rap-like “collection of rhythms, beats and sensibilities native to the Dalits of Chennai.”It evolved over the past two centuries, combining influences from the siddhars (tantric adepts) of ancient Tamilakam, Tamil Sufi saints, and more.[2] Gaana songs are performed at weddings, stage shows, political rallies, and funerals. Performers sing about a wide range of topics, but the essence of gaana is said to be “angst and melancholy” based in life’s struggles. In the past few decades, the genre has entered the music of the mainstream Tamil film industry and gained popularity. Contemporary gaana bands like The Casteless Collective are bringing the genre to new audiences while using it for social activism, especially against caste discrimination. |
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Folk singing remains popular, especially in rural areas; elements of the traditional styles are sometimes used in film music. There are contemporary enthusiasts, like Vijayalakshmi Navaneethakrishnan and Pushpavanam Kuppuswamy, who have worked to revive popular interest in the folk music of Tamil Nadu. The urumee mellam also remains as one of the more popular forms of folk music in rural Tamil Nadu and the ensemble is most often played with an urumee and the nadaswaram as the instrument of choice.
The rural hill tribes of Tamil Nadu each have their own folk traditions. The Pulayar, for example, perform melodies called talams which are said to come from the cooing of birds. Each talam is named after a deity, including Kunhanada talam, Mangalanada talam and Karaganachi talam.
Film music
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Tamil cinema is well known for its talented composers. The two most famous and acclaimed film composers of India, Ilaiyaraaja and A. R. Rahman are from Tamil Nadu. Other prominent Tamil film score and soundtrack composers in the industry include Harris Jayaraj, Yuvan Shankar Raja, Vidyasagar, D. Imman, Deva, S. A. Rajkumar, Sirpy, Bharadwaj, G. V. Prakash Kumar, Anirudh Ravichander, Santhosh Narayanan and Hiphop Tamizha. During the 1960s and 1970s, prominent film composers K. V. Mahadevan, M. S. Viswanathan and others were popular. The film music of Tamil Nadu is widely known for its innovation and eclecticism. Scores may showcase blends of Carnatic, Western and other instruments, with a range of melodic and rhythmic patterns. Orchestral themes and minimalist songs often feature. Recent trends show the prevalence of synthesizers and other electronic instruments.
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The tradition of Tamil music goes back to the earliest period of Tamil history. Many poems of the Sangam literature, the classical Tamil literature of the early common era, were set to music. There are various references to this ancient musical tradition found in the ancient Sangam books such as Ettuthokai and Pathupattu. The early narrative poem Silappatikaram, belonging to the post-Sangam period also mentions various forms of music practiced by the Tamil people. Music was also utilised in the compositions of the Tamil Saiva saints such as Appar, Thirugnana Sambanthar and Manikkavasagar during the Hindu revival period between the sixth and the tenth centuries CE. The musical poet (sandakkavi) Arunagirinathar further embellished the Tamil musical tradition through his compositions of Tamil hymns known as Thiruppugazh. |
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The tradition of Tamil music goes back to the earliest period of Tamil history. Many poems of the Sangam literature, the classical Tamil literature of the early common era, were set to music. There are various references to this ancient musical tradition found in the ancient Sangam books such as Ettuthokai and Pathupattu. The early narrative poem Silappatikaram, belonging to the post-Sangam period also mentions various forms of music practiced by the Tamil people. Music was also utilised in the compositions of the Tamil Saiva saints such as Appar, Thirugnana Sambanthar and Manikkavasagar during the Hindu revival period between the sixth and the tenth centuries CE. The musical poet (sandakkavi) Arunagirinathar further embellished the Tamil musical tradition through his compositions of Tamil hymns known as Thiruppugazh. |
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The tradition of Tamil music goes back to the earliest period of Tamil history. Many poems of the Sangam literature, the classical Tamil literature of the early common era, were set to music. There are various references to this ancient musical tradition found in the ancient Sangam books such as Ettuthokai and Pathupattu. The early narrative poem Silappatikaram, belonging to the post-Sangam period also mentions various forms of music practiced by the Tamil people. Music was also utilised in the compositions of the Tamil Saiva saints such as Appar, Thirugnana Sambanthar and Manikkavasagar during the Hindu revival period between the sixth and the tenth centuries CE. The musical poet (sandakkavi) Arunagirinathar further embellished the Tamil musical tradition through his compositions of Tamil hymns known as Thiruppugazh. |
Some of the famous music academy in Chennai
- The Music Academy – Old No. 306, New No. 168, T.T. Krishnamachari Road, Royapettah, Chennai, Tamil Nadu 600014 ·
- Madras Music Academy – Radhakrishnan Salai, The Music Academy, Gopalapuram, Chennai, Tamil Nadu 600086.
- Chennai Music Academy – 164, Sri Devi Garden Main Road, Tirupathi Nagar, Valasaravakkam, Chennai, Tamil Nadu 600087 ·
- L R Music Academy – NO 7, 24, Karumari Amman Koil St, Alagiri Nagar, Vadapalani, Chennai, Tamil Nadu
- R. K. Music Academy – New No 5, Old No 42, Sakthivel Nagar, Balaji Nagar Main Road, Anna Salai, Kolathuvallur, Chennai, Tamil Nadu 600082
- Western Music Academy – 24\/11, 3rd Street, Padmanaba Nagar, Adyar, Chennai – 20, Chennai, Tamil Nadu, Tamil Nadu 600020.
Music personalities
Bombay Sisters
Dr. Nithyashree Mahadevan
Sudha Raghunathan
K J Yesudas
P Unni Krishnan
M Balamuralikrishna
Priya sisters
Aruna Sairam
Semmangudi Srinivasa Iyer
Bombay Jayashri..
Music personalities
Madras Music College
Trinity College Of Music.
Music College
Chennai School of Music
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